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Cabales Serrada Escrima

The close-range Filipino stick and blade art of Grandmaster Angel Cabales

Eskrima, arnis and kali are the names of the Filipino martial arts: fighting systems built around the stick, the blade and the empty hand, in which the same movements are trained with every weapon. Cabales Serrada Escrima is the close-range branch taught by Angel Cabales in Stockton, California — the system this federation represents.

Founder
Angel Cabales (1917–1991)
First public academy
Stockton, California · 1966
Range
Close — serrada means “closed”
Weapons
stick · sword · dagger · empty hand
01

Angel Cabales and the birth of Serrada

From the Visayas to Stockton, California

Angel Cabales (1917–1991) was born in the Philippines and is commonly described as coming from the province of Antique on the island of Panay, in the Visayas. He is widely credited with learning his close-range art from the eskrimador Felicisimo Dizon.

Like many Filipinos of his generation he later settled in Stockton, California, home to one of the largest Filipino communities in the United States. For decades eskrima was taught there privately, inside families and among trusted friends.

In 1966 Angel Cabales opened a school that is widely regarded as the first public eskrima academy in the United States. By teaching openly he helped bring the Filipino martial arts to students of every background — which is why he is often called the “father of eskrima in America”.

His students, among them his son Vincent Cabales, carried the system forward after his death in 1991. Today the Cabales lineage is practised in clubs around the world.

02

What “Serrada” means

A closed, close-range system

The name comes from the Spanish cerrada, “closed”. Serrada fights at close range: the practitioner steps in, closes the line of attack and keeps the opponent's weapon under control instead of trading blows from a distance.

  • Economy of motion — short, direct movements; the stick rarely travels further than needed.
  • Angles of attack — strikes and thrusts are trained as a structured set of numbered angles, each with its defensive answer.
  • Checking hand — the empty hand constantly checks, pushes and traps the opponent's weapon arm.
  • A shorter stick than many long-range styles, suited to fighting inside.
  • Counter-for-counter drills in which partners flow from attack to defence and back without stopping.
03

Stick, blade and empty hand

One system, many weapons

In the Filipino martial arts the weapon is an extension of the hand. The angles learned with the stick (baston) are the same angles used with the sword (espada), the dagger (daga) and the empty hand (mano-mano). Training usually begins with the single stick — solo baston — and continues with espada y daga, stick and dagger together.

Because the stick stands in for the blade, the sport and training forms of eskrima keep the lessons of the historic weapons while using rattan sticks and protective equipment for safety.

04

Grandmaster Anthony Davis

Maha Guru — founder of the federation

Grandmaster Anthony Davis — known throughout the Serrada community as “Grandmaster D” and by the title Maha Guru — is the founder of the United World Serrada Escrima Federation and the principal heir of the Cabales Serrada tradition outside Stockton.

Early training

He began martial arts at the age of 15. His first instructors were John K. Wong (Tai Chi Chuan), Jesse Lopez (boxing) and Phil Cornin (Kajukenbo). Over more than 45 years he studied Kajukenbo, Chinese Kempo, Thai boxing, Tai Chi Chuan, Western boxing, Kali and Serrada Escrima.

With Angel Cabales

In 1984 Supreme Grandmaster Angel Cabales personally invited him to train in Stockton, California. Davis later merged the Cabales teachings with the Filipino Kali/Escrima Association, and it was through him that Graciela Casillas began her formal training with Cabales in 1986–1987. On 3 June 1990 he recorded a special interview with Cabales at his home — one of the last documented conversations with the founder.

Davis/Cabales Serrada System

Davis developed an eclectic combat style that blends Cabales Serrada Escrima with his decades of experience in other arts. At its heart is “Presence of Mind” — the ability to respond spontaneously and intelligently under pressure. As the Davis/Cabales Serrada System of Escrima it has spread to many countries.

In 2003 he founded the federation with Professor Leo T. Fong.

Full biography, timeline and lineage →

05

The Cabales lineage

From Felicisimo Dizon to today's grandmasters

The line of Cabales Serrada Escrima goes back to Senior Grand Master Felicisimo Dizon, known as “Dequerdas”. His student Angel O. Cabales brought the art to Stockton, California, and trained the students who carry it on today, among them:

  • Grandmaster Anthony Davis (Grandmaster D)
  • GM Graciela Casillas
  • Professor Sultan Uddin
  • Master Jerry Preciado

Angel Cabales encouraged his students to find their own way within the art: “Any student whose primary focus is to be a carbon copy of his teacher is doing themselves a disservice.”

06

United World Serrada Escrima Federation

Founded in 2003 to preserve the Cabales system

The federation was founded in 2003 by Grandmaster Anthony Davis and Professor Leo T. Fong. Its mission is to preserve the combative, scientific, philosophical and spiritual applications of Great Grandmaster Angel Cabales' Serrada system.

Professor Leo T. Fong, a student of both Bruce Lee and Angel Cabales, incorporated the Cabales system into his own art, Wei Kuen Do.

Guru Michael Schwarz serves as president for the Midwest and East Coast. He began Tae Kwon Do and Hapkido in 1979 under Master Changhee Jhoon, holds a 6th-degree black belt in American Tang Soo Do and sits on the boards of the WMAF and WMAU.

History

From the islands to the world

Before 1521

Pre-colonial fighting traditions

Across the islands, communities used bladed weapons, spears and sticks for work, hunting and war. Skills were passed on within families and villages. Names such as kali, eskrima and arnis are used today for these arts; the origin of the word “kali” is still debated.

Pre-colonial

Stick fighting in the Visayas

Stick fighting was brought to Mactan and Cebu by early chiefs — Datu Mangal, the father of Lapu-Lapu, together with Sri Batugong and Sri Bantug Lumay. In Lapu-Lapu's time the art was known as pangamut, and Lapu-Lapu himself was a master of it.

27 April 1521

The Battle of Mactan

Warriors led by Lapu-Lapu, a chieftain (datu) of the island of Mactan, defeated a Spanish landing force under Ferdinand Magellan, who was killed in the fighting. The chronicler Antonio Pigafetta, who sailed with Magellan, described bamboo spears and a large cutlass in the battle — a weapon often identified with the kampilan. Lapu-Lapu is honoured today as the first Filipino hero to resist foreign rule.

1565 onwards

Spanish colonial period

Spanish colonisation lasted more than three centuries. The Spanish word esgrima (fencing) gave the name eskrima; arnis is usually traced to arnés, the harness worn in theatre. Many terms of the art — espada y daga, serrada, abanico — are Spanish. In 1565 Miguel López de Legazpi founded the first permanent Spanish settlement in the islands; Spanish accounts note the skill of Filipino fighters with stick and blade.

17th–19th century

The moro-moro stage plays

The moro-moro were popular plays (comedias) showing battles between Christians and Moros. Their choreographed stick and sword fights are often said to have helped preserve fighting techniques in plain sight.

19th century

From the blade to the stick

Spanish bans on carrying bladed weapons pushed practitioners to train with sticks, and arnis became widely popular among ordinary Filipinos.

1896–1898

The Philippine Revolution

Revolutionaries of the Katipunan fought Spanish rule with whatever weapons they had — above all the bolo, the everyday working blade of the countryside.

1920s–1930s

Eskrima reaches America

Filipino workers who emigrated to Hawaii and California brought their family arts with them. Communities such as Stockton became centres where eskrima was practised privately.

1966

The first public academy

Angel Cabales opened his eskrima academy in Stockton, California — widely regarded as the first eskrima school in the United States open to the public.

1984

Grandmaster Anthony Davis joins the Cabales school

At the personal invitation of Angel Cabales, Grandmaster Anthony Davis (“Grandmaster D”) — who had started martial arts at the age of 15 — began training with him in Stockton, California. He later merged Cabales' teachings with the Filipino Kali/Escrima Association and spread the Davis/Cabales Serrada System of Escrima internationally.

1986–1987

GM Graciela Casillas begins formal training

Introduced by Grandmaster Anthony Davis, Graciela Casillas began formal training with Angel Cabales and later became a grandmaster of the lineage.

3 June 1990

An interview at the Cabales home

Grandmaster Anthony Davis recorded a special interview with Angel Cabales at his home — one of the last documented conversations with the founder.

1991

Weapons Instructor of the Year

Black Belt Magazine named Angel Cabales “Weapons Instructor of the Year”. Remembered as the Father of Escrima in America, he influenced Bruce Lee's students Leo T. Fong, Dan Inosanto and Richard Bustillo.

1991

The lineage continues

Angel Cabales passed away. His son Vincent Cabales and his students continued to teach Cabales Serrada Escrima.

2003

The federation is founded

Grandmaster Anthony Davis and Professor Leo T. Fong founded the United World Serrada Escrima Federation to preserve the combative, scientific, philosophical and spiritual applications of Angel Cabales' Serrada system.

December 2009

National martial art of the Philippines

Republic Act No. 9850 declared arnis the national martial art and sport of the Philippines.

Peoples & traditions

Where the arts were kept alive

Visayan peoples

Cebu, Panay, Negros, Leyte, Bohol

The Cebuano, Hiligaynon, Karay-a, Waray and other peoples of the central islands have some of the strongest eskrima traditions. Many well-known systems come from the Visayas — Angel Cabales himself came from Panay.

RegionVisayas (central Philippines)
LanguagesCebuano, Hiligaynon, Kinaray-a, Waray
Term often usedeskrima

Tagalog & Batangueño

Luzon

On Luzon the art is most often called arnis. The province of Batangas is famous for its blades, above all the balisong.

RegionLuzon (northern Philippines)
Term often usedarnis
Known bladebalisong (Batangas)

Moro peoples

Mindanao & the Sulu archipelago

The Muslim peoples of the south — Maranao, Maguindanao, Tausug, Yakan and others — resisted colonial rule for centuries. Their warrior traditions produced the kampilan, the kris and the barong.

RegionMindanao, Sulu
PeoplesMaranao, Maguindanao, Tausug, Yakan
Known bladeskampilan, kris, barong

Moro-moro theatre

A stage tradition, not a people

The name is sometimes mistaken for a tribe. Moro-moro was a form of popular theatre in which Christian and Moro characters fought with sticks and swords on stage — one of the ways fighting skills stayed alive during the colonial period.

Typepopular stage play (comedia)
Period17th–19th century
ThemesChristians and Moros

Blades

Swords and knives of the Philippines

Kampilan

The great sword of the south

A long, single-edged sword whose blade widens towards the tip, often with small spikes or a notched point, and a hilt shaped like open jaws. It is closely associated with the Moro peoples and with the Battle of Mactan.

OriginMindanao, Sulu; historically also the Visayas
Typelong single-edged sword
Lengthabout 90–100 cm
Usetwo-handed battle sword

Barong

The leaf-shaped blade of the Tausug

A thick, heavy, leaf-shaped single-edged blade, able to cut with great force. It is typical of the Tausug and other peoples of the Sulu archipelago.

OriginSulu archipelago (Tausug)
Typeleaf-shaped chopping blade
Lengthabout 30–56 cm blade

Kris (kalis)

The wavy blade

A double-edged blade, fully or partly wavy. The Philippine kris (kalis) is usually longer and heavier than the Indonesian keris and was used both to cut and to thrust.

OriginMindanao, Sulu (Moro peoples)
Typedouble-edged sword, wavy blade
Usecutting and thrusting

Bolo

The blade of the farmer and the revolutionary

A heavy, machete-like knife found all over the Philippines. As a farming tool it was always at hand — and it became the symbol of the revolutionaries of 1896.

Originthroughout the Philippines
Typemachete-like working blade
Usefarm work, self-defence, war

Balisong

The butterfly knife of Batangas

A folding knife whose two handles rotate around the blade. It is associated with the province of Batangas, where the barrio of Balisong gave it its name.

OriginBatangas, Luzon
Typefolding knife with two rotating handles
Also known asbutterfly knife

Daga

The companion dagger

A dagger held in the second hand in espada y daga. It checks, traps and strikes while the sword or stick leads.

Typedagger
Useespada y daga (sword or stick and dagger)

Sticks & woods

Rattan, kamagong, bahi — and what “solo baston” really means

Rattan stick (baston)

Yantok · uway · olisi

The training and sport stick is made of rattan, a climbing palm. It is light, tough and tends to fray rather than split into sharp splinters — which is why it is used for sparring.

Materialrattan (climbing palm)
Other namesyantok, uway, olisi
Usetraining, sparring, competition

Kamagong

Philippine ebony

Sticks of kamagong (Philippine ebony, Diospyros blancoi) are very dense, dark and heavy. They are prized traditional weapons but are not used for contact sparring.

MaterialPhilippine ebony (Diospyros blancoi)
Propertiesvery dense and heavy
Usetraditional weapon, not for sparring

Bahi

Hard palm wood

Bahi is the hard, dark outer wood of certain palm trunks. Bahi sticks are heavy and very hard, and like kamagong they belong to tradition rather than to sport sparring.

Materialhard outer wood of palm trunks
Propertiesheavy, very hard
Usetraditional weapon

Solo baston & doble baston

Single stick and double stick

Solo is not the name of a stick: solo baston means fighting with a single stick, the foundation of Serrada. Doble baston is the art of two sticks at once.

Solo bastonone stick
Doble bastontwo sticks
Espada y dagastick or sword and dagger

Bangkaw

Staff and spear

The bangkaw is the Filipino staff or spear. Spears were among the weapons carried at Mactan in 1521.

Typestaff / spear
Lengthoften longer than the user's height